No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
1916
1977
1978
1981
1961
1965
1969
1958
1951
1954
1974
1976
1975
1927
1983
1914
1980
1953