No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
1939
1947
1944
1969
1970
1950
1946
1927
1999
1945
1965
1913
1966
1972
1980
1977
1978