No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
1959
1956
1958
1972
1960
1970
1947
1964
1967
1971
1965
1973
1953
1961
1994
1944