No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
1992
1974
1966
1978
1941
1961
1960
1920
1934
1971
1964
1898
1990
1993
1996
1983
1963
1918
1945
1969