No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
1934
1966
1965
1955
1973
1998
1989
1968
1975
1935
1910
1986
2005
1944
1967
1936
1974