No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
1982
1914
1987
1966
1944
1965
1990
1978
1958
1973
1922
1968
1974
1999
1925
1916