A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.
2020
1955
2007
1980
1969
1949
2024
1951
1968
1945
1965
1963
1958
2002
2017
1982
1953
2015