A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.
1975
2021
2015
1949
2000
1970
1934
1981
2017
1967
1968
2004
1964
1976
2003
2008
1953
2010