
This film uses a 'scene' between a woman and a trans man to mobilise Gilles Deleuzes's work on masochism as explored in his book 'Coldness and Cruelty'. Critical of all manifestations of fascism, the film's visuals and sound set up a tension between two libidinal economies - that of fascism (the super father) where the father is everything, and the world of the masochist, where the mother is everything and the father is nothing.
| Release Date | January 1, 1991 | |
|---|---|---|
| Status | Released | |
| Original Title | The Father is Nothing | |
| Runtime | 10min | |
| Budget | — | |
| Revenue | — | |
| Language | — | |
| Original Language | English | |
| Production Countries | — | |
| Production Companies | ||