Touch acts as a catalyst to experiment with the possibilities of approaching a Renaissance painting. Using haptic visuality as an affective strategy, the limits between subject and object blur enabling a mutual contagion. The film combines theory and lived experience in a heterodox essay crossed by author's own subjectivity, the body, affect, folklore and feminism.
| Release Date | — | |
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| Status | Released | |
| Original Title | Cuerpos #1 Santa Águeda | |
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| Language | Spanish | |
| Original Language | English | |
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