
The film could have been a lyrical evocation of the ČSSR's first generation: the youngsters born during the war, who grew up in a state violently at pains to find and define itself, and were now ready to break away from the nation-builder ethics of their elders – but Grečner turned it into an anxiety-riddled existentialist vision of a whole globe in fear.
| Release Date | August 28, 1964 | |
|---|---|---|
| Status | Released | |
| Original Title | Každý týždeň sedem dní | |
| Runtime | 1h 33min | |
| Budget | — | |
| Revenue | — | |
| Language | Slovak | |
| Original Language | Slovak | |
| Production Countries | Czechoslovakia | |
| Production Companies | Štúdio hraných filmov Bratislava | |