Essentially a slow evolution from black to white, this film is an articulation of the old idea of Aristotle's that colours arise from the clash between light and dark. The colours of #7 are based on the opposition of pigment and light, and are all produced by stamping paint directly onto the negative.
Release Date | January 1, 1996 | |
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Status | Released | |
Original Title | #7 | |
Runtime | 32min | |
Budget | — | |
Revenue | — | |
Language | — | |
Original Language | English | |
Production Countries | Netherlands | |
Production Companies |