A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.
1970
2020
1962
1888
1894
2018
2006
2013
1975
2001
1977
2021
2019
1921
2015
2000
1957
2024
2011