A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.
2017
2001
2012
1990
2019
1971
1888
2011
2021
1960
1921
2002
1894
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