This intentionally low-end production illustrates the way B-movie aesthetics can be employed ironically to comment on cultural depravity. This mother/daughter story reclaims patriarchal abjection through reinterpretation. The work is introduced through a disturbingly humorous birth scene. From there, the pair's daily life gradually moves from bulimic contests and sexual play to technologized degradation. This relationship implodes in the final scene when the daughter, Heidi 2, surgically implants a TV set into her own abdomen with her mother's help. The TV contains a live feed of herself.