A caustic and sharply ironic portrait of a woman consumed by a destructive ideology, the film explores the psychological profile of a protagonist who has so deeply internalized a masculine, fascist militarism that she ultimately dismantles the very fabric of her own family. The work uses a distinctly feminine lens to conduct a socio-political autopsy on the consequences of totalizing ideologies. Through the use of biting satire, Mann examines the intersection of personal identity and political extremism, offering a fierce critique of how the remnants of fascism can warp individual conduct and domestic life.
| Release Date | January 1, 1965 | |
|---|---|---|
| Status | Released | |
| Original Title | Vita privata | |
| Runtime | — | |
| Budget | — | |
| Revenue | — | |
| Language | Italian | |
| Original Language | Italian | |
| Production Countries | Italy | |
| Production Companies | ||