The “Taiwan History Trilogy” is a loose thematic grouping of films by Hou Hsiao-hsien, consisting of A City of Sadness (1989), The Puppetmaster (1993), and Good Men, Good Women (1995). While not connected through a continuous narrative, these films are united by their deep engagement with key moments in Taiwanese history and collective memory, tracing the island’s social and political transformations across different eras.


The story of a family embroiled in the "White Terror," the Kuomintang government's anti-communist political repression that was wrought on the Taiwanese people from 1947-1987.
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Master puppeteer Li Tien-lu recalls his life in Japanese-occupied Taiwan during the first half of the 20th century.
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An actress preparing to play in a historical epic is terrorized by someone faxing her pages from her stolen diary; has colorful flashbacks of her affair with a now-deceased man; and imagines black-and-white film-within-a-film scenes of the movie she is about to appear in.
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