
The famous "The years of cholera" trilogy consists of three films: The Wretches Are Still Singing (1979), Sweet Bunch (1983) and The Loser Takes All (2002). Each part tells a different story.


Five friends (representatives of the Fifties generation) now in their forties, reunite after years of silence: one arrives from jail, where he has been entering and exiting for years; the other comes from a series of 'accidental' murders; another leaves his wife and kids; the fourth is a wonderer; and the last, the sole female, emerges from a lunatic asylum where she's been hiding for years... These outcasts—tortured from barren love affairs, wounded from the deaths of their beloved and betrayed by the politics of their times—hopelessly try to reconstruct the gang of their puberty, but the revolution is lost... Now, each in their own way, will progress into a journey of death, thus opening a new chapter in the history of their generation.
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The diary of the life and death of a group of 'amoral' young people, who have reached the point of no return and seek something to believe in and to die for. Their behavior brings the attention of the State. A discreet surveillance begins. A vigilante group monitors their house, headed by a nameless blonde man.
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A mysterious man, small-time grifter and big time hard-man has an anarchic tendency to riff on the system, society, police, the underworld itself and other things, along with his beloved bird, Bellafonte, meets up with an odd posse consisting of a young songwriter, a prostitute who gathers money in order to open a bookstore, an alcoholic girl haunted by the relationship with her dead mother, and the grudgey bar-woman-ex-girlfriend. The quintet get caught up in a scheme involving the media, the mob, politicians and the police. And they definitely want to get the hell out of the city, probably to some Caribbean paradise.
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